Judith Ortiz Cofer (1952- ) was born in Hormigueros, Puerto Rico and grew up in New Jersey. She earned a B.A. from Augusta College in 1974 and an M.A. from Florida Atlantic University in 1977. Cofer has taught at many colleges and universities, including the University of Michigan and the University of Georgia, where she's been since 1984. Cofer's a novelist, essayist, and poet. Much of her work is autobiographical, and her books include the novel (1989) and (2000). Cofer also frequently contributes to such periodicals as , , and . Among other awards and honors, she's won the Pushcart Prize for her nonfiction, and an O. Henry Award for her short story "Nada." "Casa, A Partial Remembrance of a Puerto Rican Childhood" was first published in the journal in 1990 and reprinted in (1991).
» Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood
Though the United States is a melting pot of different cultures, difficulties in assimilation has occurred for nearly every major ethnic group throughout their respective histories. In Ortiz-Cofer's "Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood", the author puts forth a number of stories that describe the difficulty of growing up in the United States while attempting to actualize a Latino cultural identity. Whether or not you are interested in or not, we encourage you to read this sample paper, as it outlines the problems and tensions in cultural assimilation in the United States. Use for all your academic content solution needs.
Silent dancing: A Partial Remembrance of a Puerto Rican Childhood
For Latinos in the United States, assimilation and daily life was often times a struggle that most families had to deal with. The challenges were varied and consistent when it came to learn the English language, dealing with cultural differences and raising families. Luckily, scholarship from immigrants and Latinos has left readers with a chance to really understand what life was like. Judith Ortiz Cofer, in “Silent Dancing: A Partial Remembrance of a Puerto Rican Childhood,” offered numerous short stories that recalled her own time growing up with a military family in the United States. Moreover, a detailed account of growing up in a Latino family was also collected in Esmeralda Santiago’s collection, “When I was Puerto Rican: A Memoir.” Both of these collections offered a glimpse into the daily life and hardships of growing up in a Latino family while dealing with the duress of being an immigrant in the United States. Ultimately, while both Silent Dancing and Fighting Naked shared examples of prejudice towards immigrants and grueling work situations, Fighting Naked showcased a difference in terms of gender issues.
“A Partial Remembrance of a Puerto Rican Childhood.” The